If
you have the common misconception that poetry is only for eggheads, that it is
impossibly complex, and that it has nothing to say to you, have I got the poet
for you. Meet Billy Collins, who writes some of the most engaging and
accessible poetry being written today.
If
you have the common misconception that poetry, if paired with the adjective “accessible”,
is inane, sing-song, and shallow, have I got the poet for you. Meet Billy
Collins, former U.S. Poet Laureate, Distinguished Professor of English at
Lehman College, and winner of dozens of awards and honors for his work. His
poetry has been included in the Advanced Placement examinations given to high
school students annually, marking it as culturally and academically
significant.
Collins
is a thoughtful and humorous poet, which I don’t need to tell you is a rare
combination. He coats his profundity in humor; there’s a depth to it that you might
not expect from the tone. The poems often start out on a certain, very innocent
topic, develop it with some striking, clever imagery, then turn a corner at the
end to bring the momentum they’ve developed into a surprising new path.
It
will be tempting to gorge on these poems, but you must be disciplined. Only
read one, or perhaps two, a day. Don’t rush through them. Read them aloud,
slowly, and let the words and phrases catch you by surprise. Read the poem more
than once, and carry it with you through the day, letting it echo in your head.
Stick it in your pocket for later, and bring it out when you stop for lunch or
a cup of coffee. Many of these poems hold up to multiple readings.
This
is the sixth book of poetry by Billy Collins that I’ve read, and though none of
the poems in it have become my favorite Collins poem, it still has several remarkably
good, memorable poems. I debated among seven representative poems to post here.
They are all good, and on another day I could very easily have chosen another
poem from the book as the best one to share. Here’s my offering for today.
Tipping
Point
At
home, the jazz station plays all day,
so
sometimes it becomes indistinct,
like
the sound of rain,
birds
in the background, the surf of traffic.
But
today I heard a voice announce
that
Eric Dolphy, 36 when he died,
has
now been dead for 36 years.
I
wonder—
did
anyone sense something
when
another Eric Dolphy lifetime
was
added to the span of his life,
when
we all took another
full
Dolphy step forward in time,
flipped
over the Eric Dolphy yardstick once again?
It
would have been so subtle—
like
the sensation you might feel
as
you passed through the moment
at
the exact center of your life
or
as you crossed the equator at night in a boat.
I
never gave it another thought,
but
could that have been the little shift
I
sensed a while ago
as
I walked down in the rain to get the mail?
Billy
Collins,
from Nine Horses
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