The novel is written untraditionally. I do not know if it would be considered “stream of consciousness”, but if it’s not technically that style of writing, it is reminiscent of it. At times, it is told in first person, but most of the time it is from a limited third person narrator’s voice, with access to what the main character is thinking and feeling. Even more pronounced than the movement between voice is the frequent use of sentence fragments. Here is an example from the opening paragraphs:
Today a rare
sun of spring. And horse carts clanging to the quays down Tara Street and the
shoeless white faced kids screaming.
O’Keefe comes
in and climbs up on a stool. Wags his knapsack around on his back and looks at
Sebastian Dangerfield.
I
have found that it does not really take that long to get used to unique writing
style, like this, provided that one just jumps in and reads rather than spending
too much time lingering over it. What seemed pronounced and almost distracting
initially now is kind of fun.
However,
I am reading this book on a Kindle, and I’ve found that the Kindle versions of
many older books are prone to errors. So, in a book like this, where the
writing style is unusual, and also where much of the word choices are tied to
the time and location of the novel, there have been several times when I can’t
tell if a strange spelling or word choice is the intention of the author, or
just an erratum in the move to the Kindle format.
Now,
in terms of my relationship with the main character, I would say that I have
developed a sympathy for Sebastian Dangerfield. He still is exasperating, and
many of his actions absolutely make me cringe. The way he callously uses
everyone he encounters is almost painful to read, and he is most abusive toward
those who have a little faith in him.
However,
I have more sympathy for Dangerfield than I did in the past. I am rooting for
him, in a way, though I’m not really a fan of all of his actions. We are given occasional
glimpses deeper into Dangerfield, and those glimpses do much to soften my
attitude toward him.
My
sympathy for Dangerfield may also be prompted by my own experiences this week. I
have been traveling, and working very long hours. (I worked a 30-hour stint
from Tuesday morning into Wednesday morning.) The stresses of travel and sleep
deprivation have combined to make me feel somewhat out of control, like
Dangerfield feels at times.
Maybe
that is the key to reading and enjoying this book: do it while you are sleep
deprived and harried, and the wild actions and thoughts of Sebastian
Dangerfield will seem slightly closer to home.
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